Anagrammer & Oplysninger om | engelsk ord GESTE

Eksempler på brug af GESTE i en sætning

• The chanson de geste that survives (in three more or less complete manuscripts and two short fragments) comprises 10,553 decasyllable verses grouped in 91 assonanced laisses.
• Gautier rendered great services to the study of early French literature, the most important of his numerous works on medieval subjects being a critical text (Tours, 1872) with translation and introduction of the Chanson de Roland, and Les Épopées françaises (3 volumes, 1866–1867; 2nd edition, 5 volumes, 1878–1897, including a Bibliographie des chansons de geste).
• The horn that came to symbolize Orange when heraldry came in vogue much later in the 12th century represented a pun on William of Gellone's name in French, from the character his deeds inspired in the chanson de geste, the Chanson de Guillaume: "Guillaume au Court-nez" (William the Short-Nosed) or its homophone "Guillaume au Cornet" (William the Horn).
• His numerous editions of early French poems continued the work begun by Dominique Meon in raising general interest in the chanson de geste.
• Epic poems, sagas, chansons de geste and acritic songs (songs of heroic deeds) were often about the great men, real or imagined, and their achievements like Arthur, Charlemagne and El Cid.
• Nonetheless, he joined the staff of the Revue des deux mondes, and for some years contributed numerous essays, the most remarkable of which was that on Les Épopées françaises du XIIème siècle, an early, although not the earliest, appreciation of the long-neglected chansons de geste.
• While the character of Reynard appears in later works, the core stories were written during the Middle Ages by multiple authors and are often seen as parodies of medieval literature, such as courtly love stories and chansons de geste, as well as a satire of political and religious institutions.
• Doon de Mayence also known as Doolin de Maience, Doon de Maience or Doolin de Mayence was a fictional hero of the Old French chansons de geste, who gives his name to the third cycle of the Charlemagne romances dealing with the feudal revolts.
• Like nearly all popular romances of chivalry of the period, the French chanson de geste was adapted into a prose romance by the end of the 15th century; several versions from the 16th century are extant; the oldest prose version dates from 1489 (published in Lyon by Jacques Maillet).
• This includes the songs of chansonnier, chanson de geste and Grand chant; court songs of the late Renaissance and early Baroque music periods, air de cour; popular songs from the 17th to 19th century, bergerette, brunette, chanson pour boire, pastourelle, and vaudeville; art song of the romantic era, mélodie; and folk music,.
• A cantar de gesta is the Spanish equivalent of the Old French medieval chanson de geste or "songs of heroic deeds".
• His works include a congé, or satirical farewell to the city of Arras, and an unfinished chanson de geste in honour of Charles of Anjou, Le roi de Secile, begun in 1282; another short piece, Le jeu du pelerin, is sometimes attributed to him.
• Initially, minstrels were simply treats at court, and entertained the lord and courtiers with chansons de geste or their local equivalent.
• Bertrand's family may have claimed descent from Aquin, the legendary Muslim king of Bougie in Africa (Viking in effect, the legend conflates Saracens and Arabs with Normans and places Aiquin's origins in the north country) a conceit derived from the Roman d'Aquin, a thirteenth-century French chanson de geste from Brittany.
• Although the diffusion of epic poetry in England did not actually inspire any new chansons de geste, it developed the taste for this class of literature, and the epic style in which the tales of the Romance of Horn, of Bovon de Hampton, of Gui de Warewic, of Waldef, and of Fulk Fitz Warine are treated, is partly due to this circumstance.
• Atlantes (sorcerer), a fictional character in various chansons de geste and in the poem Orlando Furioso.
• In the medieval period, the choice of verse form was generally dictated by the genre: the Old French epics ("chanson de geste", like the anonymous Song of Roland, regarded by some as the national epic of France) were usually written in ten-syllable assonanced "laisses" (blocks of varying length of assonanced lines), while the chivalric romances ("roman", such as the tales of King Arthur written by Chrétien de Troyes) were usually written in octosyllabic rhymed couplets.
• Examples include the chansons de geste, Macaire, the Entrée d'Espagne written by Anonymous of Padua, the Prise de Pampelune, written by Niccolò of Verona, and others.

Sideforberedelse tog: 527,95 ms.