Oplysninger om | engelsk ord TRANSPOSING


TRANSPOSING

Antal bogstaver

11

Er palindrome

Nej

27
AN
ANS
IN
ING
NG
NS
OS
OSI
PO
POS
RA
RAN

1

4

5

AG
AGI
AGN


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Eksempler på brug af TRANSPOSING i en sætning

  • Euphonium music may be notated in the bass clef as a non-transposing instrument or in the treble clef as a transposing instrument in B.
  • It involves transposing the words in a well-known phrase or saying to get a daffynition-like clever redefinition of a well-known word unrelated to the original phrase.
  • It rests on a long French tradition of transposing syllables of individual words to create slang words.
  • The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch.
  • For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of transposition when describing the instrument.
  • The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument).
  • It is usually pitched in 8' C or 9' B today, but is sometimes built in E and is treated as a transposing instrument sounding either an octave, a sixth or a ninth lower than written, depending on the pitch of the instrument.
  • The name "Lynbrook" is derived by dividing "Brooklyn" into its syllables and transposing them, a tribute to the original home of many of the town's turn-of-the-century residents.
  • The term "concert pitch" is used to refer to the pitch on a non-transposing instrument, to distinguish it from the transposing instrument's written note.
  • For transposing instruments such as the clarinets, trumpets, saxophones, and others, transposing is a necessary skill; for all musicians, it is a useful one.
  • With the exception of percussion, bass trombone and some older tenor trombone music, all parts are transposing and written in the treble clef with the instrument's lowest open note (B♭ or E♭) notated as middle C.
  • However, the basset horn is larger and has a bend or a kink between the mouthpiece and the upper joint (older instruments are typically curved or bent in the middle), and while the clarinet is typically a transposing instrument in B or A (meaning a written C sounds as a B or A), the basset horn is typically in F (less often in G).
  • The Real Book is published in editions to suit both transposing (B, E, F) and non-transposing (C) instruments, as well as bass clef and voice editions ("low" and "high" voice, with lyrics).
  • He made revisions for that performance, such as transposing it from C minor to D minor and changing the obbligato viola to violoncello piccolo.
  • The basset clarinet is most commonly a transposing instrument in A, although basset clarinets in C and B and very seldom in G also exist.
  • In addition, he has released seven Inner Game of Music Workbooks for band, orchestra, small ensembles, keyboard, voice and all instruments in C and transposing keys plus a workbook for SEBSEQUA (Barber Shop and Sweet Adelines choruses).
  • Crotales are treated as transposing instruments; music for crotales is written two octaves lower than the sounding pitch to minimize ledger lines.
  • In 1937, a new flag was adopted, with a small gold hammer and sickle added above the gold Cyrillic serif letters УРСР (the name had changed, transposing the second and third words).
  • Musicians who play transposing instruments sometimes have to do this (for example when encountering an unusual transposition, such as clarinet in C), as well as singers' accompanists, since singers sometimes request a different key than the one printed in the music to better fit their vocal range (although many, but not all, songs are printed in editions for high, medium, and low voice).
  • By coincidence, it is possible to use a trick known as clef substitution to read music written in bass clef at concert pitch (for example most tuba or bassoon parts), by reading as if it were a transposing part in treble clef and pretending there were three more sharps (or three fewer flats) in the key signature.


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