Anagrammi & Informazioni su | Parola Inglese VIOLS

Esempi di utilizzo di VIOLS in una frase

• Although treble, tenor and bass were most commonly used, viols came in different sizes, including pardessus (high treble, developed in 18th century), treble, alto, small tenor, tenor, bass and contrabass (called violone).
• An intricately carved head at the top of the peg box is common on both viols and viola d'amore, although some viols lack one.
• Beginning in the 1630s French and Indigenous children at Québec were taught to sing and play European instruments, like viols, violins, guitars, transverse flutes, drums, fifes and trumpets.
• As a composer, his works are mostly forgotten but include 11 anthems, 3 motets for five voices and 4 fantasias for viols.
• Tobias Hume – Captaine Humes Poeticall Musicke (London: John Windet), a collection for two bass viols.
• His published music includes pieces for viols (including many solo works for the lyra viol) and songs.
• Among Coprario's works are fantasias, suites and other works for viols and violins, and two collections of songs, Funeral Teares (1606) and Songs of Mourning: Bewailing the Untimely Death of Prince Henry (1613).
• Jean Rousseau (1 October 1644 – 1 June 1699) was a French viol player, theorist, composer, and author remembered principally for his Traité de la viole (1687), a valuable source of information on the performance practices of his time, as well as on techniques used in the construction of viols.
• He also wrote instrumental music: fantasias, pavans, galliards, In Nomines, and passamezzos, for a variety of instrumental combinations including lute and viols.
• Historically, catgut was the most common material for the strings of harps, lutes, violins, violas, cellos, double basses, viols, acoustic guitars, and other stringed musical instruments, as well as the heads of older marching snare drums.
• In addition to his madrigals, Morley wrote instrumental music, including keyboard music (some of which has been preserved in the Fitzwilliam Virginal Book), and music for the broken consort, a uniquely English ensemble of two viols, flute, lute, cittern and bandora, notably as published by William Barley in 1599 in The First Booke of Consort Lessons, made by diuers exquisite Authors, for six Instruments to play together, the Treble Lute, the Bandora, the Cittern, the Base-Violl, the Flute & Treble-Violl.
• Ford wrote anthems, for three to six voices; four sacred canons; 35 partsongs; six fantasias for five parts; and a few other pieces for viols.
• The title page of the 1621 edition of the first volume of the Sonate Concertate in stil moderno records him as Capo di Compagnia de Musichi d'Instrumenti da fiato in Venetia, indicating that he led a Venetian company of piffari, a band that could include sackbuts, cornetts, shawms, but also violins and viols.
• By the time of that recording the ensemble consisted of Custer LaRue (soprano), Ronn McFarlane (lute), Mary Anne Ballard (viols, fiddle), Larry Lipkis (bass viol, recorder), Chris Norman (flutes, bagpipes, bodhran), Howard Bass (bandora), and Mark Cudek (cittern, bass viol).
• The accompanying orchestra is up-to-date, dispensing with the archaic viols and using violins, cellos, harps, lutes, theorbos, and harpsichords.
• The inventories of Gigault's possessions, taken in 1662 and in 1700 (on the account of his marriage and his wife's death, respectively), reveal that already by 1662 he was no longer poor and could afford a well-furnished home with a collection of paintings and sculptures, and a large number of musical instruments: a chamber organ, two harpsichords (one with two manuals, the other with one), three spinets, two clavichords, a bass viol, two treble viols, a theorbo and a guitar.
• He went on to establish an instrument-making workshop in Haslemere, Surrey, and proceeded to build copies of almost every kind of instrument dating from the 15th to 18th centuries, including viols, lutes, recorders and a range of keyboard instruments.
• Alta musique in general refers to the "loud music" of instruments like shawms, sackbuts, trumpets, and drums, in contrast to basse musique, the "soft music" of recorders, viols, fiddles, harps, psalteries, and the like.
• The players' orchestral make-up typically includes instruments such as baroque violins, viols, lutes, theorbo and chamber organ continuo.
• According to Titon du Tillet, he often performed in consort with his two daughters and with his own students, as attested by the copyist who wrote out his pieces for two viols as well as the solo-viol Tournus Manuscript.

La preparazione della pagina ha richiesto: 515,74 ms.