Informatie over | Engels woord QUIRE

Voorbeelden van het gebruik van QUIRE in een zin

• The term choir is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a chorus performs in theatres or concert halls, but this distinction is not rigid.
• With such narrow transepts it is thought that the eastern arches of the nave abutted the quire arch.
• Evangelical parish church, Am Kirchplatz 4/6 – Baroque aisleless church, five-sided quire, 1750-1756, architects Jonas Erikson Sundahl and Johann Seiz; Romanesque Revival west tower, 1895/1896, architect Heinrich Jester, Speyer; bells from 1554, 1717, 1961; décor.
• The acclamation "Vivat!" is still used in British coronations when the sovereign is hailed while processing from the quire of Westminster Abbey towards the coronation theatre, fronting the altar.
• The folios are gathered into quires, most of which have eight leaves each; the first and the next to last quires have only six leaves; and the eleventh quire has seven leaves excised.
• Evangelical parish church Schlosskirche, Schloßweg 14 – single-naved building, partly Gothic, partly Baroque; quire arch and east part of the south wall possibly from the late 13th century, five-eighths quire 1416, nave expanded in 1437 (dendrochronologically dated), west wall marked 1766; memorial stones from the 17th century.
• Hauptstraße 16 – Protestant parish church; mediaeval rectangular quire, flanking quire tower, vestry addition in the 15th century, Baroque aisleless church, 1771 while maintaining surrounding walls, architect Philipp Heinrich Hellermann, Zweibrücken; Stumm organ from 1865; Roman spolia and sarcophagi.
• Catholic Parish Church of Our Lady (Pfarrkirche Liebfrauen), Liebfrauenstraße 1 (see also below) – one-naved aisleless church with five-eighths quire and ridge turret, latter half of the 14th century; appointments: pulpit, 1619; tomb slabs, 16th and 17th centuries; cloister and vicarage, standing in the south wing, 14th and 15th centuries; various gravestones, 15th to 17th century; at the northeast corner a vicarage, plastered timber-frame house in mixed building styles, crosswise gable, 18th century; graveyard, Late Gothic Crucifixion, 16th century; various gravestones, 19th century; whole complex of buildings with church, cloister with vicarage and graveyard with Saint Michael's Chapel.
• Saint Anthony's and Saint Bernard's Catholic Church (branch church), Kapellenweg 2, quire from 17th century, biaxial aisleless church, late 18th century.
• The Battenfeld Church is a Romanesque cross-shaped basilica from the 12th and 13th centuries within which are preserved two case bays in the nave and the crossing with groin vaults and a domelike vault in the quire.
• These outside quires were known as cassie quires (from French , 'broken'), or "cording quires" and had only 20 sheets to the quire.
• Evangelical church, Kirchstraße 103 – Historicized aisleless church, Heimatstil, 1912, District Master Builder Damm, Late Gothic quire; Roman sandstone reliefs.
• Her second most valuable attribution to the field of Aramaic (Christian Palestinian Aramaic, Syriac) studies and New and Old Testament text critique was the purchase of another unique palimpsest manuscript, the Codex Climaci Rescriptus, in Egypt (Cairo 1895; Port Tewfik 1906), and the largest batch from an anonymous Berlin (Germany) scholar (1905), containing underneath several individual manuscripts in Christian Palestinian Aramaic of various lectionaries with Gospels, Epistles, and Old Testament pericopes, an early apocryphal text Dormition of Mary with the hagiographic story of Peter and Paul (5th–7th century), and Greek with Gospels (7th/8th centuries), overwritten by the Syriac translation of Scala paradisi and Liber ad pastorem by the monk John Climacus of Sinai (8th–9th century), of which now surfaced the missing quire at Saint Catherine’s Monastery.
• Pyrmont Castle, southeast of the village (monumental zone) – mentioned in 1225, possibly built by Kuno von Schönberg, demolished beginning in 1810; inner castle and two outer baileys separated from it by moats, round keep, 13th century, to the north more remnants; chapel’s quire south of the castle preserved, 15th century; residence expansion begun in 1712, formerly a three-floor plastered building with hipped roof, beginning in 1963 rebuilding for residential purposes begun by the architect Hentrich, Düsseldorf, with, among other things, a flat roof, on the southwest side a lower castle with two round towers, beyond the water defence (not a full moat) a bailey with its own buildings.
• The church consists of a biaxial aisleless room, joined onto which to the northeast is a reduced, rib-vaulted rectangular quire.
• Protestant parish church, Hauptstraße 44 – aisleless church, marked 1727, late mediaeval quire, above which a belltower about 1600; clergyman's gravestone, 1741.
• Protestant parish church, Hauptstraße 20 – Romanesque former flanking quire tower, the three uppermost floors less old; aisleless church on stone-block pedestal, marked 1771, architect Church Steward Koch, Kusel; furnishings, Stumm organ from 1889.
• Protestant church, Bahnhofstraße 3a – Late Gothic quire tower, dendrochronologically dated to about 1490, Gothic Revival sandstone-block aisleless church, 1872–1874, architect Johann Schmeisser, Kusel; characterizes village's appearance.
• Evangelical church, Im Eck 3 – aisleless church, reduced five-eighths quire, essentially about 1355 (dendrochronologically dated), conversion 1772, ridge turret about 1901; furnishings, Stumm organ about 1800.
• Protestant parish church, Hauptstraße 60 – Late Gothic quire, 14th century, and belltower 1433/1434, quire and nave converted in 1754–1756; wall painting fragments from the earlier half of the 14th century; bell 1496 by Johannes Otto, Kaiserslautern; before the church a warriors’ memorial by Rudolf Henn, Kaiserslautern.

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