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SEQUENCERS

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Voorbeelden van het gebruik van SEQUENCERS in een zin

  • Their "Virgin Years", so called because of their association with Virgin Records, produced albums that further explored synthesizers and sequencers, including the UK top 20 albums Phaedra (1974) and Rubycon (1975).
  • Loops can be created using a wide range of music technologies including turntables, digital samplers, looper pedals, synthesizers, sequencers, drum machines, tape machines, and delay units, and they can be programmed using computer music software.
  • Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation.
  • Some DNA sequencers can be also considered optical instruments as they analyze light signals originating from fluorochromes attached to nucleotides.
  • Softsynths may be readily interfaced with other music software such as music sequencers typically in the context of a digital audio workstation.
  • Later trackers departed from solely using module files, adding other options both to the sound synthesis (hosting generic synthesizers and effects or MIDI output) and to the sequencing (MIDI input and recording), effectively becoming general purpose sequencers with a different user interface.
  • MIDI connection (using DIN connector or Phone connector), electrical and protocol standard for connecting musical instruments, synthesizers, drum machines, sequencers, and some audio equipment.
  • The group would go on to operate as a three piece of guitarist Dave Brock, bassist Alan Davey and drummer Richard Chadwick, making heavy use of sequencers, synthesisers and computers, both in the studio and live.
  • This method was widely used in the epoch of analog modular synthesizers and CV/Gate music sequencers, since the introduction of the Roland MC-8 Microcomposer in 1977 through to the 1980s, when it was eventually superseded by the MIDI protocol (introduced in 1983), which is more feature-rich, easier to configure reliably, and more readily supports polyphony.
  • However, the remainder of the album suffered from over-reliance on technology, with armies of sequencers and drum machines replacing much of the band's earlier trademark sound with Gilmour and Negus.
  • The allure of precision as a mark of aesthetic progress (continuing with contemporary computer-based sequencers) generated high expectations for the Mark II, and contributed to the increased awareness of electronic music as a viable new art form.
  • The aRts platform also includes aRts Builder — an application for building custom layouts and configurations for audio mixers, sequencers, synthesizers and other audio schema via a user-friendly graphical user interface.
  • Their subsequent Series II and III CMIs featured a graphic sequencer known as Page R, during a time when most computerised music sequencers required coding skills.
  • As digital audio software is complex and can play any number of functions in the audio chain, control surfaces can be used to control many aspects of music production, including virtual instruments, samplers, signal processors, mixers, DJ software, and music sequencers.
  • 3, a Roland Super Jupiter and a D-550, two Yamaha KX-76 MIDI controllers, two QX-I sequencers and a DX-7, two MIDI Mappers, Korg MIDI pedals, and Moog Taurus Pedals.
  • In contrast to the conventional group-based recording sessions for First and Last and Always, Floodland was pieced together on computers using sequencers.
  • Equipment and processes available to students include high-performance liquid chromatography and mass spectroscopy; confocal microscopes; flow cytometers and sorters, advanced digital microscopy; DNA sequencers; real-time PCR detection systems; and automated protein/RNA electrophoresis.
  • After the Mirage, all Ensoniq instruments featured integrated sequencers (even their late '80s and early '90s samplers) providing an all-in-one "digital studio production concept" instrument.
  • Roland called the MC-8 a "computer music composer" and it was considered revolutionary at the time, introducing features such as a keypad to enter note information and 16 kilobytes of random access memory which allowed a maximum sequence length of 5200 notes, a huge step forward from the 8-16 step sequencers at the time.
  • Fex moved to Copenhagen, Denmark in 1985 and started a Fairlight CMI rental service, thereby becoming one of the first Swedes to work with digital samplers and sequencers.


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