Informatie over | Engels woord SUPERSCRIPTS

Voorbeelden van het gebruik van SUPERSCRIPTS in een zin

• These are limited to a single typographic line of symbols, which may include subscripts and superscripts.
• For input and output, the Klerer–May system used a Friden Flexowriter modified to allow half-line motions for subscripts and superscripts.
• In order to have more symbols, and for allowing related mathematical objects to be represented by related symbols, diacritics, subscripts and superscripts are often used.
• In tensor analysis, superscripts are used instead of subscripts to distinguish covariant from contravariant entities, see covariance and contravariance of vectors and raising and lowering indices.
• Typical features include the ability to nest fractions, radicals, superscripts, subscripts, overscripts and underscripts together with special characters such as mathematical symbols, arrows and scalable parentheses.
• Bidirectional paper motion is similarly servo-controlled, allowing quick printing of subscripts and superscripts as well as fast slewing past white space.
• In the URW/Nebiolo version, there are also extended Latin, subscripts and superscripts, and extended Latin ligatures.
• The difference between each of these transformations is shown conventionally through the indices as superscripts for contravariance and subscripts for covariance, and the coordinates and bases are linearly transformed according to the following rules:.
• Unicode intended that diagonal fractions be rendered by a different mechanism: the fraction slash U+2044 is visually similar to the solidus, but when used with the ordinary digits (not the superscripts and subscripts), it instructs the layout system that a fraction such as ¾ is to be rendered using automatic glyph substitution.
• Supported OpenType features include Stylistic alternates, ligatures, proportional numbers, old style figures, small caps, subscripts and superscripts, ordinals, and swashes (italic fonts only).
• The Epistle to the Romans, First Corinthians and Second Corinthians, Galatians, Philippians, 1 Thessalonians and the Epistle to Philemon are almost universally accepted as the work of Paul – the superscripts to all except Romans and Galatians identify these as coming from Paul and at least one other person, a practice which was not usual in letters of the period, and it is not clear what role these other persons had in their composition.
• Another minor adjustment that is often omitted by renderers is the control of the direction of movement for superscripts and subscripts, when they do not lie on the baseline.
• Vocalists on tracks are identified by superscripts: (a) Aretha Franklin, (b) Mavis Staples, (c) Reverend Cecil Franklin, (d) Reverend Jesse Jackson, (e) Reverend Jaspar Williams, (f) Erma Franklin, (g) Carolyn Franklin, (h) Joe Ligon of The Mighty Clouds of Joy.
• Summarized below are the common means of representing voicing, nasalization and dorsal place of articulation, from Bleek's digraphs reflecting an analysis as co-articulated consonants, to those same letters written as superscripts to function as diacritics, reflecting an analysis as unitary consonants, to the combining diacritics for voicing and nasalization.

Paginavoorbereiding duurde: 167,26 ms.