Informasjon om | Engelsk ordet PROCACCINI

Eksempler på bruk av PROCACCINI i en setning

• The interior houses the Holy Sacrament Chapel (late 15th-early 16th century), in Bramantesque style, variously attributed to Giovanni Battagio; also present are works by Bernardino Campi, Giovanni Moriggia, Giulio Cesare Procaccini and Nicola Moietta.
• The organ shutters for the Cathedral of Milan were painted after 1590 by Ambrogio, Camillo Procaccini, and Giuseppe Meda, depicting the Passage of the Red Sea and the Ascencion of Christ.
• The interior has works by Gian Paolo Cavagna, Camillo Procaccini and other, but its most notable feature is the polyptych of Madonna with Saints by Bernardo Zenale and Bernardino Butinone (1485), considered one of the masterworks of 15th century Lombard art.
• For the architect, Philip began with an unpretentious project by the Spanish architect Teodoro Ardemans, incorporating a chapel centred on one facade, which was enlarged in a second phase, ca 1728-34 under Andrea Procaccini and Sempronio Subisati, who provided the courtyards in the flanks, then given its definitive character by Filippo Juvarra, who was brought from Turin, based on recommendations in the circle of Philip's second queen, Elizabeth Farnese of Parma, and his assistant, Giovanni Battista Sacchetti.
• Stefano Pozzi studied in the ateliers of the two best followers of Carlo Maratta, that of Andrea Procaccini, who departed for Spain in 1720, and then Agostino Masucci.
• Other important artists represented in the collection include Francis Bacon, Victor Pasmore, William Roberts and Paolo di Giovanni, Palma Giovane, Richard Hamilton, Panayiotis Kalorkoti, Thomas Bewick, Eduardo Paolozzi, Camillo Procaccini, Patrick Heron and Richard Ansdell.
• Among the paintings, were works by Luca Giordano, El Greco, Giulio Cesare Procaccini, José de Ribera, Peter Paul Rubens, Frans Snyders, Massimo Stanzione, Tintoretto, Tiziano, Velázquez, and Paolo Veronese.
• The second phase of the Baroque, which begins indicatively after the early 1730s, departs after a brief interlude laden with significant events: first of all, the main interpreters of the movement died between 1625 (Giulio Cesare Procaccini) and 1632 (Cerano), to which was added the death of Cardinal Federico Borromeo, among the major figures of seventeenth-century Lombardy, and above all the great Manzonian plague, which halved the city's population, striking among the thousands of victims the promising young Milanese painter Daniele Crespi, which, among other things, led to the closure of the Accademia Ambrosiana, founded in 1621 by Federico Borromeo to train young artists for the Milanese school, in which he hired the greatest interpreters of the early Baroque, above all Cerano and Fabio Mangone, as teachers.

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